
Third in a series of Benefit shows I am doing this weekend to raise money for the disaster relief effort in Japan. Awesome lineup come check it out and support a worthy cause!
Flying Lotus - Kill Your Co-Workers from Warp Records on Vimeo.
ssehram
2 weeks ago
The Vatican Snake in RED... The WOMAN in
red... DEVIL.... This how India was "OCCULTED" by Illuminati Zionist from
Zionist Devils... You got what you asked for guys.. enjoy.. War, cigars,
Drugs, Adultery, Alcohol, Music- worse than drugs and Psychotoc Diseases... end
is already here... The few who follow The Right Path still HOLDING guard...
ssehram
2 weeks ago
SRIDEVI ... is definitely an ILLUMINATI
plant.... looks NOT Indian but a SUBLIMINAL "indian" name "sridevi".... how
could we get this DUPED? The Woman is Totally.. ILLUMINATI clone.... Totally
"European Nazi Zionist Clone"... DUPED.. on Big Screen..!!!!!!!!!!!
smartom1
1 year ago 4
this song was played atleast 100
times in a day by us in 1996 ...we were all lost in the world of nasha and is
was duva duva all the time but now when I watch it i realise the reality how
bad is drugs its ok just to taste it for fun but friends pls dont continue pls
quit drugs...overall an awsome song understand the meaning and quit drugs right
now and everything will be fine its possible to quit yes its possible
1298086
6 months ago
smoky time song...cant
forget
Actors are so fortunate. They can choose whether they will appear in tragedy or in comedy, whether they will suffer or make merry, laugh or shed tears. But in real life it is different. Most men and women are forced to perform parts for which they have no qualifications. Our Guildensterns play Hamlet for us, and our Hamlets have to jest like Prince Hal. The world is a stage, but the play is badly cast.

Nollywood is the third largest film industry in the world, releasing between 500 and 1 000 movies each year. It produces movies on its own terms, telling stories that appeal to and reflect the lives of its public: it is a rare instance of self-representation on such a scale in Africa. The continent has a rich tradition of story-telling that has been expressed abundantly through oral and written fiction, but has never been conveyed through the popular media before. Stars are local actors; plots confront the public with familiar situations of romance, comedy, witchcraft, bribery, prostitution. The narrative is overdramatic, deprived of happy endings, tragic. The aesthetic is loud, violent, excessive; nothing is said, everything is shouted.



Many animal-rights groups also contacted me, wanting to intervene (however, the keepers have permits from the Nigerian government). When I asked Nigerians, “How do you feel about the way they treat animals”, the question confused people. Their responses always involved issues of economic survival. Seldom did anyone express strong concern for the well-being of the creatures. Europeans invariably only ask about the welfare of the animals but this question misses the point. Instead, perhaps, we could ask why these performers need to catch wild animals to make a living. Or why they are economically marginalised. Or why Nigeria, the world’s sixth largest exporter of oil, is in such a state of disarray.